Golden Globes exclude animated films in stellar year for 2D animation


It hasn’t been the strongest year for original American animation on the big screen. The Golden Globe nominations for best animated feature prove it. Three of the five nominees – Toy story 4, How to Train Your Dragon: The Hidden World, and Frozen 2 – are suites, while another, The Lion King, is a remake that his studio won’t recognize as animated for marketing or other reasons. The band’s only original nominee, and the only one who hasn’t been done in CGI, is Laika’s stop-motion. Missing link, itself something of a disappointment.

This list is a fair reflection of the state of mainstream animation today. CGI has dominated multiplexes this century to the exclusion of traditional 2D animation. And while in recent years CGI animated films were one of the few genres in which studios were willing to produce original ideas, this year mainstream animation has been hit hard by the franchise bug. . These suites are not bad (Toy story 4 is big enough to be a worthy winner), but it’s a little depressing to think that that’s all there is.


However, look beyond the big mainstream studio films and you’ll find that this year has been surprisingly strong, not just for animated films, but for the often overlooked art of mainstream animation. Although only 10 of them have been released on a large scale, 32 films have qualified for the Oscar for Best Animated Feature this year, most of them international productions and many of them made in styles. traditional or hybrid.

The fact that these foreign and independent films weren’t nominated for the Golden Globes could indicate that there are so many options that it’s hard to agree on the must-sees. Pretty amusing, The Lion King wasn’t even submitted as an animated film at the Oscars, so even if the Oscar nominations for animation are otherwise the same as the Globes, there’s still a good chance at least one movie traditional entertainment enters it.


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Japan, of course, is the country that produces the most traditional animation, and there are four different animated films submitted for the Oscars. Three of these films are nominated in the Best Independent Feature Film category at the Annie Awards: Promare, Alter with you, and Okko’s Inn (the beautiful but incredibly confusing Children of the sea did not make the cut). All of these films are distributed in America by GKIDS, which has had some success in bringing cartoons to theaters for Fathom Events. Last year he also successfully campaigned for Mirai to become the first Oscar-nominated non-Ghibli anime feature and the only Globes-nominated anime.


Among this year’s contenders, Promare is the most exciting. This is a politically charged, cheerfully cartoonish action film with an astonishing mix of 2D character animation and hyper-stylized CGI backgrounds. This is GKIDS ‘second biggest box office hit of all time (barely behind the Ghibli-esque Mary and the witch’s flower), and on its way to becoming a cult classic. However, that might be a bit too specialized for Oscar voters.

Alter with you has more mainstream appeal and is a very good movie in its own right. This is Japan’s official submission for the Oscar for Best International Picture, so it could very well end up with two different nominations. Maybe the voters who missed the boat check the your name, unfairly snubbed in 2016, will join the work of Makoto Shinkai. It’s possible, however, that the film’s controversial ending will prevent it from becoming an easy consensus choice.


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A few different non-animated contestants also offer a chance to diversify the Oscar roster for Best Animated Feature beyond sequels and CGIs. Netflix offers two great films that combine hand-drawn animation with innovative computer techniques: Klaus and I lost my body. The first, a good-natured Christmas tale aimed primarily at kids but with enough of a Tim Burton-style gothic edge to keep adults involved, is the greatest hope for the future of traditional Disney-style animation. The latter, a French film about a severed hand separated from her body, dominates critics’ awards but is sadly inconsistent (the severed hand thing is far superior to the dull and harassing love story).


Buñuel in the turtle maze joined I lost my body and the three aforementioned animated films in the Best Independent Film category of the Annie Awards. The famous surrealist filmmaker’s biopic is highly regarded by those who have seen it (it’s 100% on Rotten Tomatoes), but few have because the film has never played in more than six theaters at a time.

More widely available among black horse contenders is Primal: Tales of Savagery by Genndy Tartakovsky, which certainly deserves a nomination based on artistry alone – as long as awards voters see it as a movie and not five chained TV episodes for awards qualification.


Even having one of those films nominated alongside CGI sequels and remakes would make this awards season more exciting for animation fans. Even though the Oscars are just as little adventurous as the Globes and just name another mainstream CGI version instead of The Lion King, viewers should always look for these exciting animated films outside of the multiplex.

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